?

Log in

No account? Create an account

Previous Entry | Next Entry

Storyboards for the opening sequence of West Side Story (1961, dir. Robert Wise & Jerome Robbins) Sketches by Saul & Elaine Bass
...

title or description

title or description

title or description

title or description

title or description

title or description

title or description

title or description

L’Affiche – Saul Bass

You’ve never met Saul Bass, but you know him. He is everywhere. He designed the logos of your favourite cereal (Quaker), the phone you use (At&T), the camera you have (Minolta), but most importantly the posters of the films you love. The Bass mid-century minimalist aesthetic is the face of timeless classics such as Vertigo, The Anatomy of a Murder, The Man with the Golden Arm, West Side Story, The Shining, and countless more. With a career that spanned over forty years Saul Bass was a graphic design innovator who moved film posters up the hierarchy from commercial promotional tool to a collectable print based art. In print, his work was the nexus point between metaphor and abstraction. Relying heavily on symbolic references, his visual style of fragmentation and colour blocking proposed the film’s mood, and in doing so provided it with a subliminal and additional identity.

The spinning white octagonal lines contrasting the orange of Vertigo prepare us for a decent into madness. The blood red background and imposing black font in West Side Story propose the weight of urban oppression, and mirror the scale of ghetto tenements. My choice is the cheeky use of a drawn shade to convey the playful folly of Love in the Afternoon. Not limited to movie posters alone, Bass further set the bar with his revolutionary approach to title sequences, namely the cutting maze-like credits in Hitchcock’s North by Northwest. Over 50 films including Around the World in 80 days and The Human Factor are adorned with a visual style that echoes his print work and creates a cohesive aesthetic support to the film. His style was the catalyst for a modern approach to union between visual art and cinema, and has since become a industry standard as well as a fundamental inspiration.

- Christina Stimpson

http://www.soundonsight.org/l%e2%80%99affiche-%e2%80%93-saul-bass/

Comments

( 4 comments — Leave a comment )
insaneladybug
Mar. 10th, 2012 08:23 pm (UTC)
LOL. Fun! I see the ballet was part of the storyboard. Where did you find these?
petzipellepingo
Mar. 10th, 2012 09:32 pm (UTC)
I lurk around various Tumblr people to see what might pop up but they most likely came from the new book on book on Saul Bass .

Edited at 2012-03-10 09:33 pm (UTC)
insaneladybug
Mar. 10th, 2012 09:35 pm (UTC)
Ahh, I see. Intriguing!
(Anonymous)
Apr. 16th, 2012 03:08 am (UTC)
I love the designs!
Saul Bass, undoubtedly was a wonderfully great designer for movie backgrounds and colors, and it certainly showed in the film West Side Story. It was very creative and, more to the point, part of the beauty of these designs/backgrounds for the film West Side Story is that they weren't created via computer or with a lot of the special technology and gadgets that're used nowadays for creating special effects. Nor were they overly graphic the way most special affects are today, either.
( 4 comments — Leave a comment )

Profile

wss crazy cool by dallowayward
westsidestory
West Side Story

Latest Month

August 2017
S M T W T F S
  12345
6789101112
13141516171819
20212223242526
2728293031  

Tags

Page Summary

Powered by LiveJournal.com
Designed by Tiffany Chow